Edna Metz Wells and Prof B.W. Wells – Recovering our Ecological Heritage

Dr. Bertram Whittier Wells, known as B.W. ,was a pioneer ecologist teaching at NC State University (then called NC State Agricultural College).  He was one of the first generation of botanists that moved from the classification of plants to a holistic view of plants in the context of their environment. His encounter with the Big Savanah in 1920, a floral wonder on the coastal plain of NC, was the pivotal moment of his professional career. It opened his eyes and aroused his curiosity to the problems of plant ecology and focused his whole career on research into explaining why plants grew where they did and the discovery of their relationships in communities.

Wells chaired the Botany Department at NC State for 30 years, until he retired in 1954. He  produced 32 scientific papers on botany and ecology. 

Wells was an unusual botanist, however, who believed in popularizing his studies on plant communities, and spoke often over decades to garden clubs and schools. 

Because of his influence, the Raleigh Garden Club early on had an interest and conservation bent that recognized firstly that the wildflowers, native plants,  and “natural gardens” of the area were special.  He promoted the novel idea that native plants could be incorporated into home gardens.  He also convinced  many gardeners in the Club that gardening needed to take environmental conditions into account – an early version of the saying “Right plant, right place.”  This presages  the garden world trend of today : gardening  by partnering with Nature for a more ecological and healthier garden.  He wanted his audience to see North Carolina as he did:  a beautiful and majestic natural garden.

Edna Metz Wells was B.W.’s wife, and a member of the Raleigh Garden Club. She was also a science teacher at Broughton High School from 1929 on, as well as a serious academic and member of the NC Academy of Science, contributing significantly to its committee on high school science.  In 1936 she earned her master’s degree from UNC, and was working on her Ph.D. in botany.

Wells and Edna were much like a modern couple, both pursuing careers. This was partly to Wells’ credit, as he believed women should find equal opportunity with men in the world of work. He also supported the idea that if a marriage was not successful, divorce was an acceptable solution. This generated quite a bit of criticism in a time when an instructor in college could be and was dismissed because he and his wife divorced. Wells also advocated birth control long before it was acceptable to do so, believing vehemently that children were to be loved, and if they could not be, then they should not be had. Many schools still required teachers to resign when they got married.

Charlotte Hilton Green was another RGC member, and the columnist for Our State magazine.  In later life she was described as “the person most connected with ??? conservation in the State.”  Her own garden was much influenced by BW Wells and was the first wildlife habitat garden.

The story of the Edna Metz Wells Park

Susan Iden, RGC founder,  was an evangelist for wildflower gardening. She in turn was inspired by BW Wells. In 1927 the Club took over a 2-acre piece of unkept land along Clark St with the intention of creating a wildflower and native plants botanical garden. They called it Flora Park and in the first year alone they had planted  70 trees and 115 shrubs, and then transplanted in hundreds of  wildflowers and native plants. They kept planting.  In 1932 – 3, for example,  they added 47 native azaleas and 10 of our native rhododendron, plus 41 flowering trees. 

In 1937 Charlotte got the Science Club of Broughton HS to create a nature trail in the park. I’m guessing she called on Edna to work this out, although the written notes in our archives don’t mention it.  They were both wives of NC State professors and Edna ran the Science Club.  Also,  Edna  and her husband lived in a home overlooking the park and they both  took their students there to study botany and native plants.

According to our RGC board minutes,  Charlotte suggested that  the park be  renamed the Edna Metz Wells Park when Edna  died suddenly in 1938 of complications from surgery after cancer.  And  Charlotte also recommended we donate the whole park to the city.   But in the official request to the city council, our Club is not mentioned, and it is Edna’s  students who request the city rename the park. 

So  here is an example of our forgotten history. If you go to the park, the sign describing the dedication makes no mention of RGC, or our work in creating and planting the park, nor even that we donated the park to the city. 

Years later, in 1972-3 RGC planted 12 ornamental trees in the park. But it’s not only the Dept of Parks and Raleigh-ites who forget.  If our members knew they were planting in one of our Club footprints, they didn’t acknowledge  it in the 1973 meeting minutes.  I believe we didn’t even realize by that time that we had a prior connection to this park. We had lost our own history.

Our member Laurie discovered this footprint!   The park is relatively ignored … today it is overrun with invasive English ivy. I am heading there this spring to see if any of the wildflowers or flowering trees remain from the hard work of those early years. – at least some of the big trees should be there. I’ll report back in the Leaflet.  And if any of you find something post pictures on our Facebook or send them to me.

 

BW Wells and the Raleigh Garden Club – Championing Native Plants and Ecology in Gardening

 

Wells probably had his  biggest impact through his  public talks and lectures to the Club, talks that continued for some 20 years.  In 1935 he spoke at RGC’s garden school on “The ABC’s of Botany.”  Other talks included “The Patchwork of North Carolina’s Great Green Quilt” and “The Most Remarkable Plant Community in North Carolina: The Big Savannah” and “The Wildflowers of North Carolina”. He spoke regularly at the monthly meetings, perhaps once every other year. He loved to talk and was a dynamic speaker. He was a wiry man, full of physical vigor as well.  And his slides brought his subjects alive as well, as he was an artistic photographer and hand colored many of his photos. 

Susan Iden and BW Wells were friends even before the RGC was founded.  Together, they set up a wildflower show in 1920 at the Olivia Raney library.   The flowers were displayed in baskets against a backdrop of pines and other greens. 

Susan herself was a devoted lover of the native wildflowers and woodlands in the Triangle and was much influenced by Wells ecological approach. Her own garden was a wildflower paradise.  In one of her columns, she wrote:  “I know of nothing that pays quite so much in pleasure and satisfaction in the garden as a wildflower bed. Wildflowers want no cultivation. Given a corner that halfway suits their habits of growth,  a little shady and damp for most of them, and they will do the rest.”

The spring 1931 the RGC put on its first wildflower show in partnership with Wells and his botany department, and it was a big success, with hundreds visiting the show.  Susan entered a large exhibit of over 25 species displayed in NC pottery.  The show  featured over 50 species of native plants, with a showy woodland garden display including trees, moss, rocks, and a miniature pool as the setting for clumps of wildflowers that were planted. After the show these plants found a permanent home in the Cameron Park Arboretum (now Edna Metz Wells Park).  See transcript???   Wells and his botany department set this exhibit up, as well as classifying and labeling all the plants and the exhibits brought in.  The Raleigh Times reported:  “The educative side of the wild flower show has been emphasized, carrying out the principle of conservation for which the club stands.” Susan went on to make the Spring Wildflower Show a tradition from 19??? To ???

The following year, as RGC set up study groups for special interests in gardening, Susan Iden chaired one on native plants.  They held  "several hikes into the woods to study our wild flowers in their native habitats” with Wells leading the hikes.

In 1932 he led a hike to Hemlock Bluffs to study the plant community that is the remains of ancient glacial days. In 1940, Dr. Wells leads 3-day tour of natural gardens east of Raleigh, organized by Charlotte Hilton Green.  She wrote a long article on the savannahs ( in clippings book). 

A description of a typical Wells field trip by Susan Iden captures the flavor of these outings.  In 1926, A group of fifteen persons left Raleigh in a caravan of 5 Model T Ford automobiles for a 2-day tour of Well’s favorite haunts in the coastal plain.  Wells emphasized the topography of the landscape as well as the vegetation. Plant communities visited included a beech and maple forest, a pocosin (shrub-bog or bay) and the Big Savannah wildflower meadow. He also crammed in a swamp forest along the Cape Fear River, a freshwater marsh, a sand-ridge Turkey Oak stand, and ended with a beach party around a fire of driftwood.

Most people who got to go on his trips never forgot the experience. For one thing they were always crowded into several cars  and carried out at an exhausting pace with many hikes to see as much as possible.  And for another, Wells’ ability to share his observations ensured that everyone got an expanded view of nature and its intricate interrelationships. Susan wrote of the trip: “It was like having the scales lifted from eyes long dimmed by defective sight … the trip became a series of ever-changing plant communities and regions of progressive geological interest.” It was enlivening to experience Dr. Wells bringing us to  “note the trees and flowers take on individuality and variety in their own plant communities, in what had heretofore been simply stretches of woods and fields with little to distinguish them from each other. “

His impact spread through the Club.  Charlotte Hilton Green embraced the ecological approach enthusiastically, and created the first wildlife habitat garden at her home on White Oak Rd. She planted to support her lifelong love – the birds.  And she frequently wrote of ecological matters in her columns  -- get some examples…

He taught Elizabeth Lawrence, who described his classes as her favorite in the curriculum of her master’s degree in landscape architecture.

Perhaps his most fervent protégé was Margaret Reid.  She was very much influenced by Wells through his talks at the garden club, and they became friends  through her husband who also was at NC State. Wells and his wife Edna spent pleasant afternoons with the Reids, picnicking and studying unique plant communities in Wake County.   Margaret arranged her garden in ecological plant communities, imitating what she saw in nature.   She began rescuing plants from the path of development and planting them in her Raleigh garden as early as the 1930’s.  Margaret’s garden has been preserved by the Triangle Land Conservancy and can still be enjoyed as an example of Wells style of gardening.  Three of Wells’ plant  communities have been protected and can still be visited in the Triangle today:  Hemlock Bluff’s Nature Preserve and the Swift Creek Bluffs in Cary, White Pines Nature Preserve in Chatham County,  and Flower Hill in Johnston County.

Wells’ last talk to the garden club was in the Club year of 1949-50, when he joined Charlotte for a talk on a special lecture on “Bird and Wildflower Groups.”          

 

A Must-read Book for Anyone Interested in Wildflowers, Native Plants and Ecology

 

In 1932, Wells wrote The Natural Gardens of North Carolina to describe and explain to the state’s citizens the natural wonders Wells was studying and documenting as botany department chair at NC State.   It was unusual because rather than listing plants by species, he organized it by describing “natural gardens” or ecosystems of plant communities occurring from the coast, the Piedmont and west to the mountains.  He wanted to share and promote the beauty of North Carolina to gardeners and lovers of nature everywhere – not to the academic community.  He was a pioneer advocate for using native plants in gardens.

The book was the brainchild of Susan Iden, and its publication was managed by her in her role as Conservation Chair of  the GCNC.  She was charged by the state GC to bring about a book on wildflowers by then President Ethel D. Tomlinson. Ethel recognized the need for a book on native NC wildflowers because of numerous requests for information received from local clubs and schools. There was no such book in print. She made Susan Conservation Chair with the sole objective of bringing such a book out. Susan was ideal because over a number of years her love of NC wildflowers had been demonstrated in articles about them in The Raleigh Times and also a column of hers was appearing at that time titled “Trailing the Wild Flowers” in the Charlotte Observer.  Wells was of course the perfect author for such a book, and he agreed wholeheartedly and even agreed to take no compensation for writing it. 

Financing the book was a challenge.  It was Susan’s idea to sell advance copies through a subscription to all the state garden clubs.  She was able to find a publisher in the UNC Press, though they put forth the proviso that the GC provide $1500 of the cost by selling 500 copies of the book.  The Raleigh Garden Club helped, writing letters to publicize the book and setting up a subscription for club members to order it in advance. They also contributed $50, a considerable donation in those days. When the book was published, the RGC Board bought a copy to present to Susan Iden and another to add to the Club Library.

Matters proceeded well, until the bank failures of March 1932 due to the Great Depression included the bank that held the garden club funds for the book.  All of their funds were lost.  Ethel succeeded eventually in raising the money a second time, and Wells completed the book, working hard over vacations and weekends. It was ready for Christmas of 1932 – just barely! – and the publisher shipped the 500 copies using the GC list.  The finished book was over 450 pages and held 225 photographs!  Most of these were taken by Wells, but Susan Iden also contributed one, as did a few others.

The book was very well received and in fact made some money for the publisher, and royalties for Wells, which he generously donated the Garden Club of NC. But this would not have been certain at the time of Susan’s idea, and it is a credit to the publisher and to the garden club that both seized a way to provide the public with a “splendid contribution to Southern Horticultural literature.” It is a lasting legacy – for the book is still in print and still read today. It is considered a tour de force. Though its writing style is somewhat florid by today’s standards, Well’s evident sincerity and authentic exuberance, coupled with down-to-earth practicality, save the day and the reader is swept along for an education in NC ecology.

 

CONSERVATION EFFORTS

Wells fought directly for conservation, and worked with the garden club on protecting his beloved Big Savannah.  As early as 1935, he asked RGC at one of his talks to sponsor a movement to take over the "great savannah" for a reservation or park. He continued working with the state garden club and many local ones, as well as environmental organizations. He was still urging it up until 1959, when it was plowed and destroyed forever.

But there is a wonderful sequel to that tragic moment. In the late 1990s, botanist Richard LeBlond with the North Carolina Natural Heritage Program was conducting natural area surveys in Pender County when he noticed an attractive group of flowers in the area underneath power lines. He returned to the site and realized that many of the unusual and rare species he saw were the same that Wells had documented on the Big Savannah. Further research showed that the two sites share the same unique soil type, and mowing by the power line owners had kept the habitat open, as fire had on Big Savannah.

Through a coordinated effort guided by the North Carolina Coastal Land Trust, representatives of the state, the university, and private individuals, as well as the Conservation Trust for North Carolina and the U.S. Fish and Wildlife Service, worked to raise funds to purchase the 117-acre site from a cooperative landowner. In April 2002, it was dedicated and named B. W. Wells Savannah. Today, it supports a profusion of more than 200 documented species of wildflowers including orchids, carnivorous plants, and some rarities.

 

Although Wells was unable to save the Big Savannah, he was incredibly  effective as a popularizer of what should be protected. He never lost his amazement and wonder and love of the plants of NC.  A prophet for our views today, he believed widespread popular appreciation was the principal mechanism  of preservation, stressing the importance of education the public to appreciate nature. His activism in this regard drove his hours devoted to face-to-face meetings, speaking to garden clubs and other groups whenever asked and leading hundreds of field trips to view the beauty of NC close up. His talks were always well received because his ideas and enthusiasm were stimulating and his delivery lively and even forceful.

Retirement and Rock Cliff Farm

Wells retired to Rockcliff Farm, and dedicated himself largely to his painting.  The farm was preserved in his memory and was placed under the supervision of the BW Wells Association and the Dept of Parks and Recreation.

He was awarded posthumously by the NC Wildlife Federation Governor’s Award in Conservation Education, asserting “probably no one has done more to increase our appreciation of the beauties of nature and to foster conservation of plant life in the Southeast.”  They called him “one of the most beloved and influential educators in NC.” 

 

A Story of Gardens

by Erica Winston, RGC Historian

The Thatchers with their Lady Slipper Orchids

The Thatchers with their Lady Slipper Orchids

Last year we profiled several famous RGC members .  One of them was Margaret Reid, who founded the Margaret Reid Wildflower Garden now owned and preserved  by Triangle Land Conservancy. Margaret “transformed her woodland property into a horticultural treasure and  . . .  became a local expert on NC native plants”  wrote Vicki C. in her engaging article. (Read the full profile below)

 Vicki also wrote that  Margaret’s native plant collecting buddy was Harry Thatcher, Vicki’s North Raleigh neighbor and native-plant mentor.

I recall their returning from plant rescue trips and unloading/dividing specimens in Harry’s driveway – specimens destined to be saved for posterity in their respective gardens. That’s where I first met Margaret in the 1970s. By then her hair had grayed a bit, but she had not slowed down in the least.

Shay B. commented on the article:

So much fun to read that article and see Harry Thatcher mentioned. My house in Raleigh, Thirteen Islands, is Harry and Lucille Thatcher’s house!  I have a newspaper article about them.  As I was reading Margaret’s profile, I was thinking that sounds like my garden!!

Shay kindly sent me a copy of that article, titled Wildflowers Are at Home with the Harry Thatchers  from The Raleigh Times, May 13, 1972.  The article goes on to say the Thatchers, Harry and Lucille, “roamed the woods in vacation time since childhood in search of their wild plants.

Carefully they removed a few of the pines and other trees and prepared the dozens of islands of … soil.  They tried to provide the perfect soil conditions for maidenhair fern, Christmas ferns walking ferns, white and purple violets, wild ginger, pink, yellow and white lady slippers, irises, foam flowers, trilliums, Solomon seals, fringed orchids, spring beauties, trailing arbutus, claytonias, anemones, pitcher plants, Cherokee lilies, Dutchman’s breeches, trout lilies, primroses and Jack in the Pulpits.  . . .   Whether we wish to set out a small personal wildflower garden or establish a large floral sanctuary, we will find inspiration in the Thatcher’s lovely garden.”

Shay was a loving custodian of the Thatcher’s garden in her time living there. I found that exact kind inspiration under Shay’s kind tutelage as I was creating my woodland garden.

Another friend  of both Margaret and the Thatcher’s  was Charlotte Hilton Green who was also profiled by Laurie McDowell. (Read her profile under January on the right)  Charlotte was a RGC  member, and her garden land is preserved in the Charlotte Hilton Green Park on White Oak Road.  The RGC has adopted this park and is helping maintain and improve it under Laurie’s leadership.  Be sure to join in on one of the maintenance days and see it for yourself.

Nothing enhances our enjoyment of local gardens like connecting personally with the people who created or inspired them. 

 

Margaret Reid and The Margaret Reid Wild Flower Garden

by Vicki Sanders Corporon

“When I walk my trails and think a hundred years from now,” Margaret Reid told Jack Hogan of the Triangle Land Conservancy in 1992, “some people will be walking my trails, and no little girl will grow up without seeing hepatica bloom.”

Margaret Baker Reid and her NC State University (NCSU) chemistry professor husband, Alton, bought a home and 2-acre lot at 1439 Dixie Trail about 60 years ago. Today that home surrounded by so much land is considered prime real estate in downtown Raleigh, but back then Margaret’s friends thought she was essentially moving to the country. Margaret Reid would transform the surrounding property into her own personal botanical treasure chest of NC native plants, and because of Margaret’s long-term conservation strategy, you can see the garden for yourself. How did all that come about? Here’s the story of one of the Raleigh Garden Club’s early leaders.

            Margaret Reid grew up in eastern Wake County and dreamed of having a garden of her own. She was quite pleased with the potential of the property she and Alton purchased. In those two acres, she would create a garden of distinction and one of importance to botanists and ecologists.

            Margaret sought out the companionship of other area gardening enthusiasts and joined the Raleigh Garden Club in the 1930s. From its inception, the Raleigh Garden Club had distinguished itself for sharing garden tips for members’ home gardens, as well as sponsoring projects to beautify public spaces. Unlike some of the members who cultivated more formal gardens at their homes, Margaret had a preference for something more natural. She planned to maximize the potential of the woodland surrounding her home by filling it with North Carolina’s native plants. She didn’t find these plants in a local nursery or garden center, she found them in areas destined to be plowed over for the city’s growth.

            She tells of saving her first plant in 1932 (when Herbert Hoover was president). The satisfaction of salvaging beautiful plants that were naturally adapted to our area turned into a driving force. Because her property had so many habitat options (elevation changes, dry/moist terrain, open/shaded areas) beneath her oaks, poplars and pines, she could find just the right transfer spot to enable successful transplanting of these rescues.

            When she heard of the widening of Canterbury Road in Raleigh that would destroy a swath of green and gold plants, she beat the bulldozer crew there and dug up these plants. With each proposed housing development, mall, road, and business project that would transform our growing capitol city, Margaret made plans to get permission and remove endangered plants there first.

            Her garden showcased blooming plant varieties before her Raleigh Garden Club friends’ late spring cultivars commanded attention — another plus. Native woodland plants take advantage of the sunlight available to them before trees get their leaves, and thus from February through April, her garden was filled with color and fragrance from blooming hepatica, wind flower, trillium, trout lily, green and gold, lady’s slipper, foamflower, golden Alexander, and goatsbeard. She would point out to visitors that some of those lady’s slippers, foamflower, and golden Alexander came from the site for Cameron Village in 1948. She salvaged trailing arbutus, hepatica and galax from the Martin Marietta Rock Quarry.        

            She was encouraged in this early environmental conservation movement by a colleague of her husband’s at NCSU: Dr. Bertram Whittier Wells, head of the Botany Department at the college for 30 years. She took botany and ecology classes from him and she gleaned tips from the book he wrote, entitled Natural Gardens of North Carolina. Over the years Dr. Wells became her close friend and plant mentor, and the two of them made a good plant-collecting team.

            But a good deal of what she learned came from studying the native habitats of NC plants she encountered on plant rescue missions and matching those habitats as closely as possible to similar terrain in her own lot — taking note of which plants needed moist or dry habitats, which needed more sun or less. She traveled across the state and even into South Carolina on plant rescue expeditions, then transferred her rescues to her garden in groupings, or “playhouses,” mimicking natural plant communities in the wild.

            Her second native-plant collecting buddy was Harry Thatcher, my North Raleigh neighbor and native-plant mentor. I recall their returning from plant rescue trips and unloading/dividing specimens in Harry’s driveway — specimens destined to be saved for posterity in their respective gardens. That’s where I first met Margaret in the 1970s. By then her hair had grayed a bit, but she had not slowed down in the least. Devoting hours a day finding, digging, transplanting, and tending plants keeps a person fit!

            I was delighted to be given a tour of her garden to see how she made use of her plant rescues. After decades of nurturing, her garden had matured into a complex system of trails. Shady highbush blueberry corridors led to paths with wider vistas. Ferns contrasted with clusters of lilies with strap-like leaves; speckled plants like trout lilies contrasted with the delicate lacy look of foamflower. Touring her garden was somewhat like threading through a maze. She had wetlands and dry rocky sections, compactly-planted areas and more meadow-like spaces. Songbirds flitted about and chattered as we entered their playground, feeding stations, and spring breeding grounds; she provided for them, and they too relished this rich abundance of native plants.

            Over the years, Margaret amassed a comprehensive collection of over 400 native plants. She found purpose and beauty in more common varieties, like the native highbush blueberries whose fruit attracted birds to her garden. But she also delighted in finding and successfully transplanting rare North Carolina native wildflowers. She transformed her woodland property into a horticultural treasure and like her mentor B.W. Wells, she too became a local expert on NC native plants.

            The Triangle Land Conservancy put together a list of the more unusual plants you can see along the trails that thread through Margaret Reid’s Wild Flower Garden:

• Alleghany Spurge (Pachysandra procumbens)
• Bigleaf Magnolia (Magnolia macrophylla)
• Carolina Least Trillium (Trillium pusilum var. pusium)
• Dwarf Ginseng (Panax trifolius)
• Galax (Galax urceolata)
• Ghost Pipes (Orobanche uniflora … NO Monotropa uniflora)
• Large White Trillium (Trillium grandiflorum)
• Oconee Bells (Shortia galicifolia)
• Painted Buckeye (Aesculus sylvatica)
• Pink Ladyslipper (Cypripedium acaule)
• Princess Pine (Lycopodium obscurum)*
• Puttyroot Orchid (Aplectrum hyemale) *
• Red Columbine (Aquilegia canadensis)
• Striped Gentian (Gentiana villosa)
• Trailing Arbutus (Epigaea repens)
• Trailing Wolfsbane (Aconitum relcinatum)
• Twinleaf (Jeffersonia diphylla)
• Wild Ginger (Asarum canadense)
• Yellow Ladyslipper (Cypripedium pubescens)

 

            *I believe Margaret also brought home Running Cedar (Diphasiastrum digitatum) and Cranefly Orchid (Tipularia discolor) from our neighborhood — two more rare and fascinating NC wildflowers. Hopefully those are still thriving on site as well.

            In autumn of 1992 Jack Horan of the Triangle Land Conservancy (TLC) interviewed Margaret Reid for the Triangle Land Conservancy News. Because of that archived article, we have direct quotes from Margaret that reveal her plant conservation philosophy:

             Referring to her bloodroot that came from a pasture where Crabtree Valley Mall would be built, Margaret said, “Had I left it, it would be covered with cement at Sear’s parking lot.” She added, “Every time I heard of any development, I would get permission from the owner and go and dig until the trees started falling. … We need these things [roads, malls, subdivisions]. But any time we build something, we destroy something.”

             That same year, when she was 80, Margaret Reid set up a conservation easement with the Conservancy. This agreement ensured that her garden could be toured by the public and used for educational programs in botany and horticulture for years and years. In addition, the deal required that a trained TLC staff member would monitor the plant collection at least once a year to ensure its long-term care. With TLC she established the Greater Triangle Community Foundation to provide the funds to care for the garden.

            Having arranged that, Margaret was then ready to find just the right person to purchase her home and take over her garden when she passed on — someone who would value and maintain this collection of NC native plants. She chose Julia and Robert Mackintosh, who were retiring from running Woodlanders Nursery and wanted to move closer to their daughter Amy who lived in Raleigh.

            When Margaret died in 1995, her arrangements to ensure the garden’s care proceeded mostly as planned. What she couldn’t possibly have anticipated was a hurricane coming through the next year! The Mackintoshes had their work cut out for them, because in September of 1996 Hurricane Fran had toppled a number of trees and did quite a bit of damage to Margaret’s garden before they moved in. Robert and Julia Mackintosh took occupancy of her home in 1997 and their first major garden task was limb and debris removal. After that they could enhance the trails and tend to the native plants. They would also be able to conduct research, divide and/or propagate rare plants to ensure they continued and thrived on site and beyond.

            Margaret found not just the right person, but also the right family to take over. Initially Robert and Julia Mackintosh took and lead, but with their passing now their daughter Amy oversees the Margaret Reid Wildflower Garden. Together she works with the NC Native Plant Society and Triangle Land Conservancy toward that end.

            Because many of the garden’s unique specimens flower in the spring, that is the time TLC regularly plans an open garden visit. The Conservancy allows public access every Easter, typically from 2-5pm. Visits can be arranged at other times during the year through the Triangle Land Conservancy (www.triangleland.org), but because this is a private home, the owners’ needs must be taken into consideration. Friends of the Reid Garden hold workdays the second Saturday of each month — coordinated by the North Carolina Native Plant Society (www.ncwildflower.org) or Amy Mackintosh at ReidChapter@gmail.com.

            In the summer of 2001, the Margaret Reid Wildflower Garden won the 19th Annual Sir Walter Raleigh Award for Community Appearance for Tree and Landscape Conservation. That award testifies to the ongoing preservation of the garden by the Mackintoshes and the Conservancy! Margaret would be so happy knowing that.

            Margaret Reid’s garden continues to serve as an inspiration for NC native wildflower conservation, cultivation and appreciation, locally and statewide. We owe one of Raleigh Garden Club’s early leaders, Margaret Baker Reid, a debt of gratitude for the initial concept, the admirable execution, and her “long view” of wildflower garden advocacy and preservation that ensured the garden could be enjoyed over the years!

            Do arrange a visit to the Margaret Reid Wild Flower Garden, located near the corner of Dixie Trail and Lewis Farm Road. Margaret Reid’s example just might inspire you to follow in her plant conservation and wild flower garden footsteps!

 

 

Author Note: As a further connection to the legacy left by Margaret Reid, her daughter Margie was my oldest son Marcel’s third grade teacher at Ravenscroft. Margie Reid was one of the best teachers any of my three sons ever had, at any school, at any grade level! I taught at Ravenscroft and came to know Margie as a fellow faculty member as well as from the perspective of a parent volunteer. In my estimation, Margaret Reid’s daughter and namesake gives ample testimony to Margaret’s success growing great kids as well as plants!

 

Isabelle Bowen Henderson: A Renaissance Woman’s House and Gardens

by Joyce T. Moses, Past President of Raleigh Garden Club, 2016-2018

Isabelle Bowen Henderson

(May 23, 1899-May 19, 1969)

Isabelle Worth Bowen was born in Raleigh, N. C., the eldest of the six daughters of Arthur Finn Bowen, bursar and then treasurer of North Carolina State College of Agriculture and Engineering (now North Carolina State University) for almost four decades. She received top honors for her artwork at Peace College in Raleigh, N. C. before traveling to New York to study painting at The New York School of Applied and Fine Arts (now The Parsons Academy), an d art education at Columbia University. She completed her studies in painting at The Pennsylvania Academy of the Fine Arts, where her work is part of the Academy's collection. After graduating, she taught at the Pennsylvania Academy of the fine Arts and at Wake Forest College. Henderson also taught art in the Raleigh Public School System in the early 1920’s. She is one of the founders, in 1927, of the North Carolina Museum of Art, the earliest state art museum in the country, when temporary art exhibition spaces opened in the Agriculture building in Raleigh. Isabelle was a well-known portrait painter and exhibited paintings and photographs at the North Carolina Museum of Art and has one drawing in the permanent collection. 

During the early years from 1930-1931, Isabelle was Recording Secretary of the Raleigh Garden Club. For their Plant Sale, she provided 300 packets of flower seeds of 15 varieties to be sold for the club’s most outstanding needs. In 1932 Isabelle married Edgar H. Henderson (PhD., Harvard) and moved to Williamstown, Massachusetts where she exhibited alongside John C. Johansen, Dudley Murphey, and other internationally known painters. In 1935 her work was the subject of an individual show at the Lawrence Art Museum in Williamstown. While in Williamstown she began to collect the early American furniture and to hook traditional rugs. The couple separated shortly after their return to Raleigh in 1937.

In October of 1935, the Garden Club of North Carolina sponsored a four day “Garden School” in Raleigh. A presentation was made by Isabelle Henderson, then living in Williamstown, Massachusetts. It was entitled ‘Color in the Garden’.  At the November 1936 meeting of the Garden Club, The News and Observer noted that Mrs. Henderson, Vice President of the Williamstown Garden Club, would use her color charts to illustrate her talks on ‘Color in the Garden’. Her talks also focused on perennial borders.

Upon moving back to Raleigh in 1937 Isabelle resumed her gardening knowledge and enthusiasm in the Raleigh Garden Club and immediately set about designing her own Williamsburg enclave on a secluded 2.1 acres at 213 Oberlin Road, adjacent to her childhood home, the A. F. Bowen residence at the end of Fernell Lane. Drawing on her mother’s love of gardening and her own Arts & Crafts education, Isabelle synthesized Colonial architectural forms with English garden designs and American folk traditions.  In addition to her importance as a fine artist, Henderson ranks as one of the earliest progenitors of the cult of Williamsburg. She supervised the relocation and remodeling of a Victorian cottage, built a carriage house and herb house around a brick terrace, and developed a display garden, herb garden, and working garden, all organized as a carefully composed ensemble which reproduced a working colonial estate. The entire design was her concept, carried out by various local craftsmen whose names are unknown. From this estate, she was one of a group of art enthusiasts in Raleigh who helped to promote art museums, art societies and the arts and crafts movement, all the while increasing her own reputation as an artist, a professional horticulturalist, and a sponsor and collector of folk crafts. From all accounts, it is clear that well before laying out her front border in 1937, Henderson was an authoritative proponent of using an artist’s appreciation of color theories in garden design.

The National Register of Historic Places describes her work as “a composition of a re-sited turn-of-the century house and auxiliary building…integrated into a landscape of display and working gardens, and disposed around a large, shaded brick terrace from which bricked and bordered walks lead outward to the gardens. The arrangement of buildings, fences, walks, and plant materials creates a calculated informality while maintaining a palpable hierarchy of evocative spaces, views, and processions”. Almost immediately her front garden became a Raleigh landmark and was featured in each of the three Spring tours sponsored by the Raleigh Garden Club between 1938 and 1941. In April of 1938 Isabelle Bowen Henderson's self-described "English perennial border" was exhibited to the public for the first time with 11 other gardens in the Raleigh Garden Club's annual Spring garden tours in conjunction with the Garden Club of North Carolina’s Garden Fortnight Tours of the state’s finest gardens. These gardens represented a cross section of residential landscape design in a city. During that period, only two gardens were on the tour all three years: the garden of Mrs. Isabelle Henderson and the garden of Mrs. James Johnson, one of Henderson’s five sisters. 

In May of 1938, Henderson wrote an article published in the News and Observer in which she illustrated her understanding of and empathy for the principles of the Arts and Crafts Movement: "In the home where one finds order and simplicity, things perfectly suited to their use, genuine simple things rather than cheap imitations of elegance, one finds a place where children grow up with a feeling for beauty." She went on to quote John Ruskin, the leading English writer and art critic: "what we like determines what we are, and to teach taste is inevitably to teach character”. Henderson shared her appreciation of Ruskin's principles with another woman, Gertrude Jekyll (1843-1932), who brought gardening into the Arts and Crafts Movement. For over thirty years the Henderson gardens figured prominently in the Raleigh Garden Club's activities and grew as a focus of horticultural interest for North Carolina and beyond.

The Front Garden. (1937-1938) Described by Isabelle Henderson as "an English-style perennial border", this showcase garden lies east of the studio wing, between it and Oberlin Road. In 1967 the front garden was featured in Elizabeth Culbertson Waugh's North Carolina's Capital, Raleigh. Screening from the road is achieved in two tiers: first by an English ivy-entwined wire fence, and second by a tall hedge of pungent elaeagnus. A long putty-colored board fence separates the garden from the adjacent driveway and parking alcove and provides the southern exposure desirable for wall gardens. Originating at a height of seven feet in a brief north/south segment along Oberlin Road, the fence turns to frame a door, then continues west to terminate at a height of three-and-one-half feet at the brick walk which leads from the toe of the driveway, south along the studio wing of the main house. "Wide enough for two busy wheelbarrows to pass or for three children to race on it without disturbing the tulips, irises, or whatever else is bordering it in season", a gently curving walk leads east/west from the front porch steps of the main house, past the steps of the studio, and down the front garden, terminating near Oberlin Road. This and other walks were paved in recycled Wake County brick, first in a basketweave pattern, later relayed in a running bond. Subordinate brick walks branch off south toward the Shingle Barn, north toward the carriage house, and west toward to kitchen porch steps of the main house. An unpaved beaten-earth path branches off from the studio wing steps, heading west toward the gated picket fence which retards public access to the more utilitarian garden spaces occupying the western half of the Henderson property, passing the smilax draped sitting porch that runs across the front of the main house. A specimen flowering crabapple, underplanted with evergreen groundcovers and choice seasonal bulbs, stands as a focal point against a backdrop of hedge bamboo, fig trees, and winter jasmine planted alongside the barn foundation.

The Back Garden. (1937 onward) In the southwest quadrant of her property, Henderson developed nine production and trial-oriented plots which supported her display gardens, flower show entries, kitchen, dining table, and pantry. There she also conducted public demonstrations on plant propagation and Victory gardening. Three paths lead Westward from the terrace, one from either side of the herb house and one obliquely from the dining porch. The central path is paved in running bond brick, the other two are packed earth. The oblique path passes a specimen Japanese weeping cherry underplanted with seasonal bulbs and evergreen groundcovers, then opens onto a grass allee on a strong east/west axis terminating at the intersection of curvilinear beds faced with fruit trees. ornamental trees, and shrubs. Subordinate north/south grass allees establish a grid of rectilinear plots, each of which is bordered by a dense growth of dwarf mondo grass, replacing earlier brick borders. The central brick path terminates in front of the tool house at a small lawn where croquet was played and laundry hung. Looking west from the dining porch, the bordered plots contain, in series, roses, perennials and annuals, trial seedlings of hybridized narcissus, iris, hemerocallis (daylilies), vegetables and fruit. The latter plot includes blueberry, damson plum, and Japanese persimmon.

The Herb Garden. (ca. 1937) Just north of the toe of the driveway, the herb garden is concealed from passers-by on Oberlin Road to the east by the carriage house, the front door of which opens directly onto the garden. Within the microclimate of this sheltered zone, slightly raised beds result from the geometry of narrow basketweave brick paths with raised edging. Including species considered marginally hardy in piedmont North Carolina, the garden's noteworthy contents include bay and mountain laurel, star anise, chinese tea camellia, banana shrub and a collection of red and white primroses (cowslips). The garden's diamond-shaped center is paved rather than planted, enabling seating within this intimate, fragrant space, while within view of the broad pecan-canopied terrace, the sunlit grid of the trial beds and fruit orchard beyond, and of Japonica camellias.

In addition to the integration of the herb garden into the complex and the placement of the front and working gardens in emulation of a working Colonial estate, the landscape design significance of the Isabelle Bowen Henderson House and Gardens rests on the artistic design of the front garden. Here, Henderson was influenced by the painterly, naturalistic aesthetics of Gertrude Jekyll and William Robinson, both working and writing in England in the early twentieth century and popularized in the United States through publications. Based upon written accounts and recollections, it is apparent that of all the gardens on the Raleigh Garden Tours of 1938, 1939, and 1941, Henderson's garden was the most avant garde, due largely to her training as an artist and art educator in Pennsylvania and Massachusetts and her national circle of intellectual friends which gave her a knowledge of contemporary American landscape design trends.

Yearbooks and Scrapbooks of the Raleigh Garden Club from the1930's and 40's indicate that Henderson judged regularly at the annual club flower show. Also, for the 1940 Spring Flower Show, Isabelle was Staging an Art Director. In addition, Henderson discussed garden topics on the club's 'Garden School of the Air', broadcast in Raleigh on WP1F radio (predecessor of the Weekend Gardener on WPTF radio today), including 'The Garden in Midsummer' (1939), 'Color in the Garden' (1940), and 'Flower Arrangement for the Flower Show' (1941). In later years of 1963-64 Isabelle also gave demonstrations on how to start plants from seeds. 

It is interesting to note that Elizabeth Lawrence, who was a prominent North Carolina gardener and international horticulture writer of the mid 1900’s grew up approximately three blocks from the Bowen home and were childhood friends. Both she and Isabelle were active members of the Raleigh Garden Club during the late 1930s and 40’s. In A Southern Garden, published in 1942 by Elizabeth Lawrence, she cites Henderson’s 12 years of garden records in establishing blooming dates for flowering shrubs.

The Henderson garden is one of only two gardens included in North Carolina's Capital, Raleigh, which documents the city's important landmarks from 1760 until 1967. The accompanying text describes it as "one of the most beautiful and imaginative gardens in North Carolina". Lewis Clarke, FASLA, who worked briefly with Henderson on elements of the front garden notes:

There is no doubt this garden should be preserved for it is the last of an era now totally gone. Perhaps swept away in Raleigh by the School of Design in its heyday of contemporary design influence in N. C. in the 50's and 60's. Isabelle's garden and that of Baker Wynn[e] now demolished under the YMCA parking lot) were to my knowledge the only two of this period in Raleigh. For an intown property of this character Isabelle's garden was extensive and varied. This garden and layout, even with its relocated buildings is the best one existing with real concern for historical design integrity, and a sincere dedication to plant species propogation of the period. 

While establishing the front garden, Henderson began hybridizing perennials in the working garden, creating new varieties and transplanting the finest specimens into the front garden. She maintained at least 527 varieties of hemerocallis, approximately 600 varieties of irises, naturalizing hyacinthoides hispanica and in 1951 received the highest award of the National Council of State Garden Clubs (The National Horticultural Award) for her hybridizing work with irises and hemerocallis. Her articles discussing both technical and aesthetic concerns in growing a wide range of plant materials were published often in the local press from the 1930’s on, and by state and national horticultural organizations including the American Hemerocallis Society and the N. C. Hemerocallis Society, both of which she was a charter member, and the Garden Journal of the New York Botanical Garden.

Karin Kaiser's NCSU landscape architecture master's thesis The Studio, Residence, and Garden of Isabelle Bowen (1985) catalogues the more than 100 perennial, ornamental and fruiting shrub, and tree specimens surviving in the front garden. A comparison of the front garden today with newspaper photographs as it appeared for the Statewide Tour of Homes in 1938 demonstrates that the principal design elements are intact. During her 32 years at this address, Henderson made a number of refinements to the building/garden ensemble, but it is clear that her original Arts and Crafts sensibility applied to Colonial Revival architectural forms and to Robinsonian English landscape design elements that remained the guiding themes, preserving the integrity of the architectural and landscape elements. https://catalog.lib.ncsu.edu/catalog/NCSU676926.

The legacy continues! Isabelle Bowen Henderson died in 1969 leaving her house and gardens to her sister, Phyllis Bowen Riley. Phyllis really didn’t have the means to maintain the property, and the state unsuccessfully tried twice from about 1972 -1977 to condemn it because they wanted to widen the nearby road from two lanes to five lanes. Fast forward 40 years later, this historic property and surrounding neighborhoods are thriving with walkable, tree-lined streets. Today, it is the residence of Russ Stephenson and his wife, Ellen. Russ is the great nephew of Isabelle Bowen Henderson and the great grandson of Phyllis Bowen Riley. In the 1980’s Russ assisted with the property’s National Register of Historic Places Nomination. Russ is an active member of the Raleigh Garden Club since 2017 and is currently Co-chair of the Horticultural Committee. Due to his and Ellen’s generosity, the Raleigh Garden Club has held three successful public Spring house and garden tours in 2017, 2018 and 2019. Russ was also a guest speaker at the April 2018 meeting where he presented ‘Isabelle Bowen Henderson: Raleigh Artist and Horticulturist 1899 – 1969’. Russ and Ellen have embarked on a restoration of the property according to the color photos and slides that Henderson produced in the 1950’s and 60’s. The over 30 years of physical records of her work at her Oberlin Road home is a treasury of early 20th century American garden design and architecture. 

In 2019, the Isabelle Bowen Henderson House and Gardens received the prestigious Minnette C. Duffy Landscape Preservation Award. This is the highest honor given for the preservation, restoration or maintenance of landscapes, gardens, streetscapes, or grounds related to historic structures. This award recognizes the importance of the landscape in the preservation of historic structures. First presented in 1987, the award is made possible by the family of the late Minnette Chapman Duffy of New Bern, whose leadership contributed to the reconstruction of Tryon Palace.


Isabelle Bowen Henderson House and Gardens

Notes Keyed to Site Plan - (which is the third image at the top of this post.)

1 The original 2-room dwelling, now part of the main house, originally stood here, with its front door facing Oberlin Road. It was built in the mid-19th century as part of the freedman’s community of Oberlin Village. A Victorian porch and turret addition were added circa 1900. In 1937 Henderson’s father, A. F. Bowen, purchased this parcel and moved the dwelling 150 feet west to its current location and rotated it 90 degrees so the front door faced south, toward the back door of the Bowen home at the end of Ferndell Lane. (See Historical Note below tracing this property’s Oberlin Village roots.)

2 Henderson used tall board fences like this one and to create outdoor rooms. By keeping the top of the fence level as the ground rises to the west, this fence is tall enough at Oberlin Road for a door, but short enough at the Carriage House to reveal views into the Front Garden.

3 Henderson’s front display garden reflects the English mixed perennial border style developed by William Robinson and Gertude Jekyll and popularized in America in the 1920’s by Beatrix Farrand. The Front Garden was first opened to the public in 1938 in conjunction with a statewide garden tour organized by the NC Garden Club. The Bowen garden was also on the tour and stood immediately to the south. The Front Garden was featured in North Carolina’s Capital Raleigh, published in 1967, and described as “one of the most beautiful and imaginative gardens in North Carolina”

4 The stone paved section of the Front Garden walk is part of the original Bowen garden. Henderson incorporated this section her design when the Bowen homeplace was sold by the six daughters in 1950.

5 This is a reconstruction of the carriage barn that stood at the rear of the Bowen homeplace. Henderson added the tall north-facing windows so the barn could be used as a second studio space.

6 The gable roof of the original 2-room dwelling is visible here.

7 The Victorian porch and turret were added circa 1900, when the dwelling stood on Oberlin Road.

8 The Front Room features Henderson’s hand painted wall mural, reproducing the map (Mouzon, 1775) and heraldry (Collet, 1770) of the Colonial Carolinas. A photograph of this room was featured nationally in House and Garden Magazine in 1942. The flanking bookcases contain the combined Bowen and Henderson libraries, exhibiting Henderson’s interests in her Art & Crafts education at the Pennsylvania Academy of Arts, culinary arts, North Carolina history and horticulture. Henderson grew up with garden writer Elizabeth Lawrence and Jacques Busbee, who revitalized the Jugtown Pottery tradition. The bookcases include Lawrence’s inscribed volumes and pieces from Henderson’s Jugtown Pottery collection. Henderson led efforts to assemble the NC History Museum’s first Jugtown Pottery collection.

9 Henderson added this Studio when the house was moved in 1937. The space is dominated by a large bank of north-facing windows, placed high in the wall to provide the best possible light for painting. In 1938 a full page article in the News & Observer was devoted to her growing prominence as a portrait painter. Ben Forest Williams, the first curator of the N. C. Museum of Art has estimated that she produced over one thousand portraits throughout the Eastern United States. Her works are included in the permanent collection of the N. C. Museum of Art and in the State Supreme Court Building in Raleigh.

10 The Carriage House was built in the early 1940’s in the Second Colonial Revival (Williamsburg) style as a two-car garage. It was renovated circa 1950 as a residence for Henderson’s sister, Phyllis Riley.

11 The Herb Garden is laid out in the geometric Elizabethan style found in Colonial times.

12 The Brick Terrace is the central outdoor room, bounded by dwellings, outbuildings and fences, and shaded by a massive pecan tree. Signatures in the hand made brick pavers are scattered around the terrace.

13 Henderson designed the Herb House, with its broad-shouldered chimney, as a Colonial summer kitchen. She displayed pottery, early American crafts and dried herbs inside.

14 Henderson purchased a parcel to the north circa 1950 and moved part of the dwelling into this position to finish the terrace enclosure and provide a Guest House for visitors.

15 The Compost area is an essential element of Henderson’s working and display gardens.

16 The Tool Shed was reconstructed in 1996 after being demolished by a fallen elm tree during Hurricane Fran.

17 The Back Garden was Henderson’s working garden where she hybridized daylilies, irises and other perennials. At various times Henderson maintained 527 daylilly and 600 iris varieties. In 1951, Henderson won the National Horticultural Award, the highest award given by the National Council of State Garden Clubs, for her “permanent and creative contribution to horticulture”.

Historical Note: The Henderson House and Gardens are on what was previously Lot Number 2 in the village of Oberlin, a freedman’s village then located two miles west of Raleigh. Sheriff Timothy Lee, whose home stood at Hillsborough Street and Oberlin Road, sold the property in 1869 to Lemuel Hinton, one of Oberlin’s earliest settlers. Shortly before the tenth and final payment was due in 1879, Hinton borrowed $75 for six months with a note secured by two oxen (“color ginger brown and red”), a milk cow (“color dark brown brindle, named Barnhill”), a wagon and farming implements. In 1897, Hinton and his wife Lurina sold the property (where they were living) to his daughter and son-in-law, Lemetta and Allen Haywood. The Haywoods lived here until 1931 when Allen Haywood died and the property went into foreclosure. Lemetta was the sister of Eleanor Hinton Graves, who with her husband Willis built the Graves-Fields House in the late 1880s. Preservation North Carolina is working to relocate and renovate that endangered house, which is further down Oberlin Road. Both the Graves and the Haywoods have many notable descendants across the country. Learn more about Preservation NC’s Oberlin Village research and preservation work here: http://bit.ly/PNC-OberlinVillage

Link to more historical photos, documents and the full National Register Nomination: https://localwiki.org/raleigh/Isabelle_Bowen_Henderson_House_%26_Gardens

Margorie Farmer O'Keefe

by Nancy Hartge

Marjorie O’Keeffe was born March 31, 1915 just ten years before the Raleigh Garden Club was founded on March 13, 1925.She was born Marjorie Farmer to Eunice Dodd Farmer and James Farmer, a minister.  Marge, as her friends called her, grew up in Georgia and graduated from Mercer University in Macon, Georgia majoring in mathematics. She enjoyed sports and music playing basketball and tennis while in college. In 1941 Marge married John Graham O’Keeffe and they had four children, John, Jim, Bill and Margie. Using her education, she taught high school mathematics in Georgia, West Virginia and Cary, NC.  While in West Virginia she was President of the Association for Exceptional Children and helped start the school for exceptional children.

Marge loved her family, gardening, art, antiques, traveling and genealogy. She loved giving parties, had an antique shop and a radio show called  “Shopping With Marge.” Some of you may remember that Marge was President of our own Garden Club and the Cary Club. She was Treasurer of the state garden club as well as liaison to the J.C. Raulston Arboretum for several years. We can be thankful to her for the beautiful flowers along our highways.  Marge promoted the planting of wildflowers along the North Carolina highways and chaired the committee for the beautification of the North Carolina Visitor Centers.

If you are getting tired thinking of yourself doing all the things Marge accomplished we’ve only just begun. She was an active member of the Daughters of the American Revolution and United Daughters of the Confederacy, in the Pro and Con Book Club, several bridge clubs and the Hayes Barton Baptist Church.

For the year 2007-08 she was granted the Maslin Award given to a member who has done the most over a period of years to further the aims and projects of the Garden Clubs of North Carolina. It shouldn’t surprise any of us as she must not have slept much since she was so active in life.

Marjorie died August 24, 2012 at the age of 97. All we can say is thank you Marge for all you did to keep our club healthy and enjoyable for us to be members.

Charlotte Hilton Green

by Laurie McDowell

But the night is fair,

And everywhere

A warm, soft vapor fills the air,

  And distant sounds seem near,

And above, in the light

Of the star-lit night,

Swift birds of passage wing their flight

  Through the dewy atmosphere.

              -Birds of Passage by Henry Wadsworth Longfellow

Thus begins Charlotte Hilton Green’s unpublished book, “Bird Sanctuaries,” which she began writing while living on White Oak Road in Raleigh. Charlotte had published columns in the local Raleigh newspapers and frequently began her writing with a poem to get the reader in the mood.

 By now, I hope everyone has heard Charlotte Hilton Green and her little park, which we have adopted through the Parks Department.  Charlotte was one of Raleigh’s earliest conservationists, an avid birder, and author of two published books in addition to a weekly newspaper column dedicated to gardening and gardens.  An integral member of RGC, she gave educational bird talks and organized trips for the club to visit gardens in neighboring communities and states.  In 1984, neighbors in Charlotte’s White Oak Road neighborhood worked together to arrange for the City of Raleigh to purchase three lots to preserve as the Charlotte Hilton Green park. 

 When Charlotte Hilton Green moved to Raleigh from upstate New York in 1920, she probably had no idea what she was getting into.  She and her husband Ralph Waldo Green, probably took the train south (she writes of purchasing a car after their arrival in town).  Raleigh was a city of 24,000 people, and the city boundaries were approximately East, South, West and North Streets (the “center” of today’s downtown).  A trolly car took passengers past the populated areas along Glenwood Avenue up to Bloomsbury (present day Hayes-Barton) for picnics and adventures in the amusement park.   My own neighborhood of Five Points was a treeless plain, formerly tobacco, cotton and corn fields, and only recently subdivided into lots for housing.  Hayes Barton Baptist Church wouldn’t appear on the scene for another six years.  Cameron Park was the brand new fashionable neighborhood.

 Once arrived in Raleigh, the couple threw themselves into their new lives. They had met at the Chautauqua Institute in 1913, where Charlotte was attending a course in nature study taught by Ruby Green Smith, Ralph’s sister.  The “nature study” movement began at Cornell in the early 1900’s and Ralph’s family was “tied up with it,” according to Charlotte.  An educator herself, she had already been teaching her students about birds and nature, using the scenery outside her classroom window to interest and educate her students. 

 The couple married in 1917 and moved to Raleigh midyear 1920.  Ralph worked for the North Carolina Department of Agriculture and later was on the faculty at State College (now NCSU).  Charlotte immediately jumped into the Raleigh community, founding the NC State College Woman’s Club with 25 other women.  Charlotte and Ralph also met others who would be instrumental in the nature and conservation movements, including B.W. Wells, and brothers C.S. and H. H. Brimley, who would start the state bird club.

 In 1923, the Greens built a home on White Oak Road near Crabtree Creek.  The Greens had purchased a large tract of land along White Oak, extending from present day Rothgreb Road to St. Mary’s Street.  Developers busy with Hayes Barton and Five Points had eschewed the property, thinking that no one would ever want to live that far away from town.

 Charlotte and Ralph had “dreamed of a real Bird Sanctuary—and of a small arboretum where we could collect native plants and trees,” Charlotte wrote.  The land had been alternately farmed all the way to Crabtree Creek and used as a dump-literally, when there was no municipal trash pickup in the neighborhood.  After World War 1, the land was no longer needed for planting and had “gone back to wilderness...Weed trees, brush, tangles..” and the city used dirt alongside the road to fill in potholes on other roads.  The Greens began improving their property (with the help of B. W. Wells) by putting up bird boxes, bird baths and feeding stations, and planting vegetation that would attract wildlife. They named their property “Greenacres,” and their first home was called Woodhaven.

 Both Charlotte and Ralph immersed themselves in the life of Raleigh.  In addition to earning her bachelor’s degree in 1932, Charlotte led visitors on walks along Crabtree Creek and through the woods to learn more about birds.  She and Ralph acquired a permit that allowed them to operate one of the earliest bird-banding operations in North Carolina, Ornithologist Dr. Arthur Allen recorded many of his first southern birdsong recordings on their property along White Oak Road.

 Charlotte’s most active time in the Raleigh Garden Club was in the 1930s.  She headed the Bird Study Group, the Wildlife Study Group, she was a speaker, and she organized and led several trips for the Garden Club.  She was very busy; her Bird Study Group organized meetings in members homes, reaching out to neighboring Garden Clubs and even Golf Clubs in the hope that the owners would make their golf courses more bird-friendly.  Charlotte even used technology-she writes about using an early type of projector called a “delineascope” to show birds in flight to her audiences.  She also noted that, due to technical issues, she would not recommend doing so again.  Sounds kind of like our early experiences with Zoom!

Charlotte recorded talks for radio as well; these were intended for schools but recordings of her talks were sent to garden and bird clubs too. 

 Charlotte also took her show on the road, speaking at elementary and high schools , holding a bird house competition with 48 entries; donating berry bushes to municipal buildings in the hopes of attracting birds, and leading bird walks.  

 During this time, Charlotte also began writing her weekly column “Out-of-Doors in North Carolina” for the Raleigh News and Observer, and she would continue as a nature columnist for 42 years.  She touched on many areas of biological sciences, supported numerous conservation causes (she was an early and vocal opponent of building Crabtree Valley Mall in the floodplain), and tried to explain complex environmental issues in terms the average reader would understand.  Charlotte also interviewed and wrote about RGC members and their gardens, many of whom lived near her White Oak Road property. 

 Shortly after her columns began appearing, the North Carolina State Director of Primary Education began recommending it as a supplement to the school curriculum.  The columns were eventually collected into two books, “Birds of the South” (1933) and “Trees of the South” (1939).  Both books are still available.

 Throughout the 1930s, Ralph and Charlotte continued to work on developing Greenacres into a bird and wildlife sanctuary.  They utilized State College forestry students to treat damaged trees and invasive plants.  They planted dogwoods and other natives and created a rock garden in a large ravine.  As late as 1986, NCSU horticulture classes were still visiting Greenacres as part of their curriculum.

 Ralph’s career kept him involved in Raleigh and greater North Carolina.  As the editor of for the North Carolina State College Agricultural Extension Service, Green traveled the state by train.  He worked to educate farmers regarding improved practices that would enrich depleted soil and reduce overproduction of certain crops, which ultimately led to lower crop prices and more struggling farmers. Ralph also taught economics on the  faculty at State College.

 Charlotte and Ralph remained busy and active throughout World War II.  Ralph developed and tended a large War Garden as his effort.  Charlotte continued her writing, both locally and nationally.  She began contributing to national publications including Nature, the Ladies Home Journal, and Washington Post, to name a few.

 Ralph died in 1948 after a long illness, and the responsibility for their property along White Oak Road fell solely to Charlotte.  Although she didn’t want to, she began to subdivide and sell the lots that had made up Greenacres.  The couple had already sold “The Willows,” a beautiful and grand home that still stands near St. David’s School, but that had not suited their needs.  They had moved to another home they called Brookside.  Unable to manage the upkeep on Brookside, Charlotte built her third and final home on the last remaining vacant lot in Greenacres.  This home, still standing on White Oak, was a smaller, two-story house which Charlotte named Treetops.  Charlotte lived on the upper level and rented the lower level out as a furnished apartment.  Greenacres was subdivided in 15 large lots, as development crept up White Oak and St Mary’s Roads.

 Charlotte remained busy throughout the ensuing decades. She continued writing her columns for the Raleigh paper, advocated for environmental issues, and was active in many civic organizations.  And she began traveling extensively.  Charlotte had always been an independent woman, and her widowhood does not seem to have slowed her down.  One writeup mentions that Charlotte, at age 60 (!) joined a Girl Scout troop and paddled from Raleigh to Kinston along the Neuse River.

 In 1980, Charlotte was awarded the Conservation Communications Award from the N. C. Wildlife Federation and National Wildlife Federation.  By this time, Charlotte was preparing to leave Treetops; her last move was to Tarboro and a nursing home there.  Greenacres and the surrounding area had morphed into one of Raleigh’s premier neighborhoods, with housing for large estates as well as smaller, mid-century brick homes. 

 But even after moving to Tarboro, Charlotte wasn’t quite finished leaving her imprint on her adopted hometown.  In the early 1980s, a developer purchased the remaining three lots along White Oak Road with the intent to build three more houses there. Neighbors who had known Charlotte and her activism felt that this was not a good use of one of the last remnants of Greenacres.  They worked together, led by another neighborhood conservationist Neil Joslin, and the city condemned the land.  Funds were raised to create the Charlotte Hilton Green Park, named for “the one person in the Raleigh community most clearly identified with conservation of natural areas,” according to Mr. Joslin. 

 The Charlotte Hilton Green Park stands along White Oak Road, where Charlotte and her many students and followers walked, listened to birds, and experienced nature.  In 2019, the Raleigh Garden Club adopted the park as part of Raleigh’s “Adopt a Park” program.  The park has been somewhat neglected over the years, although it holds a special place in the Parks Department staff’s hearts.  In the past six month, we have helped remove invasive species and planted over 400 bulbs, many of which should begin blooming soon.  How fitting that we are now the stewards of Charlotte’s garden.

 Charlotte was present at the dedication of her garden; she lived until age 102 and passed away in Tarboro at the age of 102.  She left behind an amazing legacy in Raleigh and throughout North Carolina.

 


Mary Lee Swann McMillan: The Camellia Lady

by Vicki Sanders Corporon

Mary Lee Swann McMillan (1890-1981)

Mary Lee Swann McMillan (1890-1981)


One of Raleigh Garden Club’s most memorable presidents made a significant impact in many areas of public service during her long life of nine decades.

She came to be known as The Camellia Lady, but there’s so much more to her story.

EARLY INFLUENCES

She was born in Kingstree, South Carolina to Mary Frances (Lewis) and James Milan Swann. Following her early education, she attended Winthrop Normal and Industrial College of South Carolina, Rock Hill (which later became Winthrop College and still later Winthrop University) and earned a Commercial Department certificate there in 1913.

She moved to New York to enroll at Teachers College of Columbia University. She also attended the New York School of Fine and Applied Art (that we now know as Parsons School of Design, it was founded in 1896 and is still recognized today as a top design school).

CAREER MILESTONES

In 1915 she was asked to chair the Home Economics Department of Bernard School of Household Arts in New York City. She also taught at the Scudder

School of Household Arts. In addition to these teaching assignments, she wrote a weekly homemaking column for American Weekly.

The next three years she served as the personal secretary to Madame Helena Paderewski, the wife of Ignacy Jan Paderewski, an internationally-renowned pianist and Polish patriot. Inspired by that couple, Mary Lee worked with the Polish Victim’s Relief Fund and helped organize the Polish White Cross.

Decades later Mary Lee McMillan would reflect on the impressive accomplishments and impact Madame Paderewski had on her. Distilling those memories coalesced into a full-length biography she co-wrote with Ruth Dorval Jones in 1972. They affectionately titled the book, My Helenka.

LIFE IN RALEIGH In 1918 Mary Lee Swann met Robert Leroy McMillan, a native of Scotland County, NC. He too was studying in New York City. Once he received his law degree from Columbia University, he was admitted to the North Carolina bar in 1919. They married and the young couple moved to Raleigh, where they made their home and impacted the community via their talent and service.

To thank Mary Lee for helping Helena Paderewski with the Polish Relief efforts and add a lifetime treasure to their new home, in 1924 Ignacy gifted one of his Steinway pianos to Mary Lee. His signature is inscribed inside the piano sent to her in Raleigh. Helena sent Mary Lee this note:

My dear Maria,

Nuncio has autographed the Steinway which we are sending to you. He has selected it for its tone. You remember that he has autographed one other piano and that was for our friend Alma Tadema, the great English artist. This piano, my dear child, will remind you of the days we were together and my husband is sending it with happiness.

Note sent by Helena Paderewski to Mary Lee McMillan May 10, 1024 Regarding shipment to Raleigh of the Steinway, Model M, 224070

The couple had two sons: Archibald Alexander and Robert LeRoy, Jr. They not only grew up in the prestigious Cameron Park area of downtown Raleigh, with a beautiful, well-tended garden surrounding their home, but within their home they had a world-famous piano for personal enrichment and performances by distinguished visitor guests.

In 1966, Mrs. McMillan was named North Carolina’s Mother of the Year! Besides parenting abilities that might have contributed to being nominated for that award, the committee no doubt considered candidates’ wide range of social and civic contributions. Mary Lee’s record of service to the community sets a high bar for us all.

CLUB AFFILIATIONS

Mary Lee filled her “spare” time with an incredible diversity of volunteer involvements. She and her husband were active members of the Pullen Memorial Baptist Church. To this day, the church has a Circle named for Mary Lee McMillan to honor her dedication to that congregation.

She was also a member of the Woman’s Club of Raleigh and served as their president from 1945-1947. In addition, she was a supporter of the March of Dimes, the Clan McMillan Society, the American Legion Auxiliary (Raleigh Unit), the Olla Podrida Book Club, the NC Office of Civilian Defense, the State Recreation Commission, the Johnston Pettigrew Chapter of the United Daughters of the Confederacy, the Daughters of the American Revolution, and the Parent-Teachers Association. But that’s not all!

GARDENING

For gardening enrichment and outreach, she joined the Raleigh Garden Club in 1929 and served as our president from 1934-1936. Over the years she built strong ties at the state level via the Garden Club of North Carolina, the National Council of State Garden Clubs, and the NC Camellia Society.

She filled her own garden with a wide variety of camellias, and the blooms from these plants provided the inspiration for making corsages and delivering these to hospital and nursing home patients. Word has it she created from 800 to 1,000 pillow corsages each year for this uplifting gift of beauty to those folks facing challenging health concerns. She did this for 40 years! Now you can see why they affectionately called her The Camellia Lady.

From its initial organization in 1949, Mary Lee McMillan was not only welcomed into the new Raleigh Camellia Society, but she was also made an honorary life president. Within the NC archives, we have the registration book for the group’s 1950 Camellia Day event and yearbooks and minutes attesting to the influence Mary Lee had on that organization and on popularizing the use of camellias into local landscapes. Mary Lee’s personal garden is included in Old Homes and Gardens of North Carolina, with this descriptor:

The “Camellia Lady” is probably the most generous flower grower in the Club. Almost daily a tray of nosegays, single camellias, roses or whatever is in season, or a dried arrangement of red and green pepper pods, acorns or small cones, or a nylon flower gets to the sick in hospitals; if a friend is having a party, it’s almost a certainty a “Mary Lee Arrangement” will be there too. The at-home sick are remembered too.

Mary Lee made a significant impact on the Woman’s Club of Raleigh, first joining the club in 1920. In the late 1960s, the Woman’s Club of Raleigh (WCR) looked for land to develop and build a clubhouse. They purchased six acres, built the clubhouse and created an access road via Glenwood Avenue, aptly named Woman’s Club Drive. From 1946 until the late 60s, the Woman’s Club and Raleigh Garden Club had both been meeting at a clubhouse on Hillsborough Street. With the new WCR clubhouse constructed, the Raleigh Garden Club aided their sister group by installing a garden at the new site. This new garden was officially dedicated in 1973.

Since Mary Lee served as WCR president from 1945-1947, a cherry tree was planted in Mrs. McMillan’s honor in the new garden, and when this bloomed, the Raleigh Times newspaper wrote a feature story describing the lovely Mary Lee McMillan Garden adjacent to the Woman’s Club of Raleigh.

The garden included many of Mary Lee’s favorite perennial plants (like azaleas, rhododendrons and camellias) as well as flowering trees (like cherry and crepe myrtle), massive boulders, and several redwood benches to take in the vistas. Speakers at the 1973 garden dedication included Pulitzer prize-winning Paul Green, William Lanier Hunt (founder of the NC Botanical Garden), Clarence Steppe of Wayside Nurseries, Wayne McBride of Lewis Clarke ssociates who designed the garden, and Herbert O’Keef of the Raleigh Times. The Rev. W.W. Finlator gave the dedicatory address. Needless to say, this event was the place to be in town that day!

Approximately 50 years later, the WCR folks and the Irregardless Café benefactors Arthur and Anya Gordon allocated funds to give the garden a facelift, and that has been accomplished.

RALEIGH GARDEN CLUB +

Her impact on our Raleigh Garden Club bloomed in multiple ways. First, she impacted the group as an active community volunteer and personal gardener. She joined the club in 1929 and actively participated in their events until 1977! She first established her credentials by maintaining an exemplary home garden. When asked to step up and serve as the club’s president from 1934-36, she looked beyond our city’s wealth of distinguished garden experts and invited nationally-known dignitaries to the Raleigh Garden Club — she hosted speakers from as far away as New York to talk to the group on floral design. She inaugurated the first Garden School in the country — a three-day course of study that was a big success! And she popularized gardening through her regular columns in the Raleigh Times for 25 years.

Mary Lee and the RGC Broadcasting Committee pioneered a gardening talk show on the radio in the early 30s, entitled Garden School of the Air; in 1939 it was renamed Garden Club School of the Air — the forerunners of The Weekend Gardener that is still on air today, on WPTF. She also impacted the Raleigh Garden Club as a featured speaker. In one talk, she memorably introduced club members to the International Peace Garden, a 3.65 square-mile park located on the North Dakota border with Manitoba, Canada. It was her hope that women everywhere could do much to prevent future wars by filling the minds of students and adults with thoughts of beauty, peace and orderliness — above all, with a love of art. Since both her sons fought with the Marines in WWII, she surely had to wish hher philosophy had had more impact on world affairs, but at least her sons survived their wartime engagements and had successful careers. Son Robert Leroy McMillan joined his dad’s law firm.

After serving as Raleigh Garden Club president, Mary Lee moved on up in the gardening world of North Carolina. In 1947, she was elected president of the Garden Club of NC (the affiliation of all the local garden clubs across the state). During her term in office, she revitalized the statewide club. She broadened the scope of action and coordinated the efforts among the regional clubs. She spoke to the Lumberton Garden Club as the honored guest in 1947. She promoted the NC Roadside Council and later served as Finance Chairman and Chairman of the Tryon Palace Garden Committee. Not surprisingly, she was offered several national offices, but here in NC in 1957 we honored her one more time with the Maslin Award, the highest honor for lifetime achievement by a member of the Garden Club of NC.

ARCHIVAL RECORDS

The McMillan Papers (PC.1677) are archived in our state files. These include circular letters, reports, publications, newspaper and magazine clippings, photographs and more from 1908 to 1980, representing the literary, political and social activities of Robert L and Mary Lee McMillan. The files also include parts of a four-act play entitled Japonica, written by Robert and Mary Lee McMillan — their only husband-wife writing project.

Another item archived is a 1964 program showing that Mary Lee McMillan’s remarkable life was the focus of the John Charles McNeill Book Club meeting!

LASTING LEGACY

Mary Lee McMillan was referred to as the “Pied Piper of Cameron Park” because children in the neighborhood would gather and play in her yard. Once when the circus came to town, she invited the neighbors’ kids for a breakfast at her home and hosted a clown to entertain them. The local kids had to dearly love this Pied Piper!

Raleigh Garden Club’s “Camellia Lady” died October 7, 1981 at the age of 90 after an incredibly productive and generous life. She was buried beside her husband in Wagram Cemetery, Scotland County, North Carolina.

Mary Lee Swann McMillan’s legacy lives on through her writings, her garden at the Woman’s Club of Raleigh beloved for weddings, and through her inspiring example as a devoted gardener who shared the bounty joyfully!

Elizabeth Lawrence – The Raleigh Years

by Penny Amato

Elizabeth Lawrence 1942

Elizabeth Lawrence was a prominent North Carolina gardener and internationally known horticulture writer of the mid 1900’s. “She is regarded as one of three preeminent figures in the horticultural history of the Southeast, sharing this short list with Thomas Jefferson and J.C. Raulston.” She was the first woman to graduate from (present-day) NC State University with a degree in landscape architecture in 1932, and worked with Raleigh Garden Club (RGC) member Isabel Busbee in this capacity. Although she lived in Raleigh until 1948, where she was very active in the Raleigh Garden Club, she became more renown after her move to Charlotte due to the popularity of her books, especially Gardening in the South, and her weekly newspaper column in the Charlotte Observer. Our RGC “footprint” focuses on Elizabeth’s Raleigh years.

Elizabeth Lawrence and her family moved to Raleigh in 1916, when Elizabeth was 12 years old, so that she and her sister Anne could attend St. Mary’s School. The Lawrence’s bought a house at 115 Park Avenue (close enough to walk to school) where Elizabeth and her mother, affectionately known as Bessie, established a large flower garden on the one acre lot. As the years progressed Elizabeth eventually became the main gardener while her mother took care of the running of the household including caring for Elizabeth’s father as his health declined until his death in 1926.

Elizabeth used this garden (as well as her garden in Charlotte years later) as a “living laboratory” where she experimented with hundreds of plants and bulbs to find those that grew the best in the “middle South” with an emphasis on plants for an average garden that would grow with a reasonable amount of care and a reasonable amount of intelligence. In the forward to her first book, A Southern Garden - A Handbook for the Middle South, she says “if a plant grows for me, it will grow for anyone”.  She was also adamant that a Southern garden should be “beautiful in all seasons” and considered winter the beginning of the garden year.

There is not much published information about Elizabeth Lawrence’s Raleigh garden. The garden was established by the former owners of the house. Elizabeth could not remember the name of the “famous garden designer” who designed the garden but had seen his name in a garden magazine of her mother’s. Her garden was described in 1938 as an “interesting scientific and experimental garden having raised flower beds for drought-loving plants and low beds for the moisture loving flowers, an herb garden, a fine rock garden and a flowering crabapple leaning over a pool". We know the garden had white trailing moss verbena, pink Persian candytuft, mallows, crinum, bergamot, garden phlox, and helenium and, of course, many tiny bulbs including snow drops, winter aconite, narcissus and Siberian iris. The bulbs were planted in a separate area where they were allowed to bake dry in the summer sun. This area was overplanted with drought tolerant annuals in the summer.

In 1947 Woodrow Price wrote an article for the News and Observer about Ms. Lawrence’s garden emphasizing her desire to discover the best growing plants for the South by bringing in plants from other parts of the world with similar climates. He said that she had hundreds of plants from Europe, Africa, Asia, South America and North America – many obtained through amateur and professional gardeners who read her articles or heard her lectures and would “immediately go out and dig up some particular plant that they would like her to experiment with in North Carolina”. He further mentions her meticulous record keeping including the name and origin of the plant; the bloom time, length and color; and the physical dimensions of the plant itself.  She was instrumental in expanding the range of crinums that had previously been grown only in Florida and California, resulting in a medal from the National Amaryllis Society in 1943.  Her collection included crinums from South Africa and Zanzibar as well as the only native North American crinum, Crinum americanus. Her favorite was Empress of India even though it would not grow in her own garden..

Elizabeth’s garden was featured on a RGC sponsored Garden Tour in April of 1939 and a photograph of an oval pool and a set of stairs appeared in the News and Observer. It was described then as a garden “entered through a pergola leading to a rustic summer house which is set in an oval design of walks and flower beds. The main path leads through an arch in a clipped hedge to a terraced cutting garden. The stone edges of the flower borders are planted with sun-loving rock plants. The garden is at its best in early April when the pergola is covered with white wisteria and the oval pool mirrors a flowering crab.”

In 1942, RGC member Charlotte Hilton Green wrote a review of Elizabeth’s first book “A Southern Garden” for the News and Observer.  She visited the Lawrence Garden at that time where she and Ms. Lawrence wandered up and down the paths and through the copse [small group of trees] past the pool to the wildflower nook. Nearby a yellow banksia rose grew over the summer house which overlooked the garden. A photo of Elizabeth in her garden appeared in the paper in conjunction with this article.

I recently (October 2020) stopped by the property at 115 Park Ave (very near where the blue roofed IHOP used to be) and found the remains of Elizabeth’s garden, most notably a wall with a recessed arched niche that incidentally looks similar to a wall at Lawrence’s Charlotte garden where a plaque of the Madonna and child hangs. I also found a very tall holly tree that likely was part of the original garden. And I saw some oxalis coming up under a tree that may have been from her original plantings. 

After years of use as a multi-family home after the Lawrence’s moved out in 1948, the property was purchased by the Farm House fraternity in 1969. In 2004, the fraternity decided to build a new facility that would better serve as a home for its members. There was an effort at that time to try to save the historic house led by then City Councilman Benson Kirkman and then Raleigh mayor Charles Meeker with hopes to save and refurbish the garden. Unfortunately, the fraternity did not want to sell the lot and the attempt to try to move it elsewhere was unsuccessful due to the inability to find a new location close enough for the move. The new fraternity house was built behind the original house right on top of Elizabeth’s former garden and the original house was then torn down.

By that time, the gardens were nearly gone; although in April 2000, Mary E. Miller, a columnist for the News and Observer, reported seeing squill and daffodil foliage underneath the oaks.  As late as 2010, Tony Avent’s description of Lycoris x squamigera in the Plant Delights catalog noted that a row of surprise lilies still persisted in the Raleigh garden of the late garden writer Elizabeth Lawrence. Fortunately, several years before this, J.C. Raulston recognized the significance of the plantings at the Lawrence house and had many of them moved to the arboretum. On September 26, 1992, the Elizabeth Lawrence border at the (present-day) J.C. Raulston Arboretum was dedicated with a full day symposium focused on the life of Elizabeth Lawrence.

Not much is known about the other gardens Elizabeth Lawrence may have designed in the Raleigh area (some in conjunction with RGC member Isabel Busbee), but we do know she designed the plantings at the front of Raleigh Little Theatre. When the theater was built in 1939 the front was graded, retaining walls were installed, and the area was planted with trees—given by the Raleigh Garden Club—and bulbs and shrubs. Elizabeth was very good friends with Anne Preston Bridgers, a playwright who was instrumental (along with Mrs. Cantey Venable Sutton) in establishing the Raleigh Little Theatre.  Through letters that Elizabeth wrote to Anne Preston Bridgers which were compiled into a book called, Becoming Elizabeth Lawrence - Discovered Letters of a Southern Gardener written by Emily Herring Wilson, we also know that Elizabeth tended the Bridgers’ garden that was located at 1306 Hillsborough Street, so perhaps a design credit could be given for that garden too.  She also designed the esplanade of trees for the center of Glenwood Avenue that replaced the old trolley tracks. Six hundred seventy-seven trees and shrubs, chosen in combination to provide year-round beauty, were installed between Peace Street and Five points in 1934. The Raleigh Garden Club purchased 198 of the trees and shrubs, Mr. B.W. Kilgore donated 40, and the rest were provided by the city. Around the same time, Elizabeth and Isabel Busbee also gave professional landscape advice for the YWCA.

Additionally, although not in Raleigh, the Medicinal Garden at the Country Doctor Museum in Bailey, NC was designed by Ms. Lawrence in 1972. The garden’s layout of concentric circles surrounding a period millstone was inspired by the Botanic Garden of Padua in Northern Italy, the oldest medicinal garden in Europe. It was originally planted with over 60 medicinal plants that likely were used to make salves and tinctures by doctors in the late 1800’s and early 1900’s.

During her years in Raleigh, Elizabeth was active in the Garden Club movement including her membership in the Raleigh Garden Club. She served as librarian from 1930-1938, and even took garden books and literature on the road to display at various locales. She was a flower show exhibitor and judge for many years, but became disinterested in judging believing that flowers need not be perfect to be beautiful. She sponsored workshops for an RGC study group called “Gardening by Example” that included sessions on shade gardening, and blooms for all seasons.

Ms. Lawrence gave numerous talks at other Garden Clubs throughout the state and country with her travels taking her to Rocky Mount, Lumberton, Asheville, Charlotte, Danville, VA, Shreveport, LA, Cincinnati, OH, and Auburn AL. She even did a radio broadcast on garden design under the auspices of the Raleigh Garden Club in 1932. Her lecture topics were varied including “The Amaryllis Family”, “Flowers of England”, Fall gardening, “Rare Bulbs and Their Culture”, “Summer Blooms”, How To Plant a Southern Garden, “Perennials for the Southern Garden”, and “Books for the Gardener”.

In 1942, she was awarded a certificate of merit by the National Council of State Garden Clubs in recognition of exceptional service in compiling and publishing material of extraordinary value in the advancement of horticulture and garden design.  

Elizabeth’s Raleigh years ended in 1948 when she and her mother moved to Charlotte to be close to Elizabeth’s sister Ann. The two families purchased adjoining lots – one for a house for Elizabeth and her mother and one for a house for Ann Way and her family. Elizabeth designed the new house where she and her mother lived essentially for the remainder of their lives. And, of course, a new garden was established for Elizabeth to enjoy and continue her study of plants best suited for the middle South. Her house and garden are now owned by the Wing Haven Foundation and both are open to the public (https://winghavengardens.org/elizabeth-lawrence-house-and-garden).

 

References:

Wing Haven Gardens website: https://winghavengardens.org/elizabeth-lawrence-house-and-garden

Becoming Elizabeth Lawrence - Discovered Letters of a Southern Gardener written by Emily Herring Wilson, 2010

No One Gardens Alone – A Life of Elizabeth Lawrence by Emily Herring Wilson. 2004.

A Southern Garden, a Handbook for the Middle South by Elizabeth Lawrence 1942.

Elizabeth Lawrence and Her Southern Garden by Charlotte Hilton Green, News and Observer, May 3, 1942 page 33

Raleigh Gardens to be Open to Public on April 4 and 5, News and Observer, March 27, 1938, page 32

Garden Fortnight Comes to Raleigh, News and Observer, April 9, 1939, page 10

Exotic Flowers Find a Home in Miss. Lawrence’s Garden by Woodrow Price, News and Observer, June 15, 1947, page 39

The Little Bulbs Bloom Even Yet by Mary E. Miller, News and Observer, April 30, 2000, page 2D.

Writers Home Might Be Leveled, News and Observer, October 31, 2003, page 9.

Writers House for Sale by Thomas McDonald, News and Observer, April 10, 2004, page E1.

Tarheel Playwright Dies Here, News and Observer, May 4, 1967, page 10

A History of the Raleigh Rose Garden. . https://raleighlittletheatre.org/about/a-history-of-the-raleigh-rose-garden/

Garden Club Plans Two Beautification Projects - Completion of Glenwood Avenue Esplanade and Development of Outdoor Theater Planned, News and Observer, September 24, 1933, page 2

Beautifying of Street Complete – Raleigh Garden Club Completes Work of Planting on Glenwood Esplanade, News and Observer, March 9, 1934, page 3

Society: Garden Club Broadcast, News and Observer, December 29, 1932 page 5

Social Happenings, The Bee (Danville, VA) May 26, 1940, page 5

Lumberton Garden Club Hears Talk on Fall Flowers. Robesonian, October 26, 1941, page 6

Miss Lawrence to Lecture at District Meet, The Asheville Citizen Times, September 29, 1942, page 8

J.H. Harris of State College Speaks at Dinner Session, News and Observer, May 19, 1943 page 6

Local Woman to Speak To Garden Club Group, News and Observer, October 23, 1943 page 6

Miss Elizabeth Lawrence to Be Speaker at Dept. Club Thursday – Eminent Horticulturist To Be Presented by the Garden Division, The Shreveport Journal, October 27, 1944, page 15

Over The Garden Gate with Margaret Ann Ahlers, The Journal Herald (Dayton, OH), April 15, 1945, page 18

Miss Lawrence Speaks to Local Garden Club, News and Observer, November 7, 1946 page 6

Garden Club Will Hold Convention in Auburn, The Anniston (AL) Star, June 8, 1947, page 6

Raleigh Woman to Be Speaker at Garden Club, The Charlotte Observer, March 25, 1945, page 33

 

 

 

 

 

 

 

 



 

PHOTO LEGENDS:

Elizabeth Lawrence house just before it was torn down in 2004. Image from News and Observer, April 10, 2004 page 7E

Elizabeth Lawrence garden circa 1939. Photo from the News and Observer, April 9, 1939, page 10

Elizabeth Lawrence garden circa 1942. Photo from the News and Observer, May 3, 1942, page 33.

Elizabeth Lawrence in her Raleigh garden in early spring 1942. Photo from No One Gardens Alone – A Life of Elizabeth Lawrence by Emily Herring Wilson page 145.

Elizabeth Lawrence’s Raleigh garden circa 1942. Note the rock wall and indented niche in the back of the garden.

Remains of the Elizabeth Lawrence garden at Farm House fraternity in October 2020. The rock wall behind Elizabeth’s patio still remains. Photo taken by Penny Amato

Large holly tree likely remaining from the original Elizabeth Lawrence garden. Photo taken in October 2020 of the back yard of Farm House Fraternity at 115 Park Ave, Raleigh, NC

Oxalis growing under a tree in the yard of the Farm House fraternity. Perhaps these were some of Elizabeth’s tiny bulbs that she planted in her Raleigh garden. Photo taken in October 2020 

The Farm House fraternity now owns the former Elizabeth Lawrence property at 115 Park Ave, Raleigh. The present building sits where Elizabeth’s garden once was and her former house would have been in what is now the front yard.

The design for the medicinal garden at the Country Doctor Museum in Bailey, NC; and the actual garden. Elizabeth Lawrence designed this garden in 1972.. Both images from the Country Doctor Museum website: https://www.countrydoctormuseum.org/

A 16th century print of the Botanic Garden of Padua in Northern Italy with the Basilica of Sant’Antonio in the background The garden .is the oldest medicinal garden in Europe. It was the inspiration for Elizabeth Lawrence’s design for the medicinal garden at the Country Doctor Museum in Bailey, NC. Photo from From Wikipedia: https://en.wikipedia.org/wiki/Orto_botanico_di_Padova#/media/File:Orto_dei_semplici_PD_01.jpg

 

 

 

 

 

 

 

 

 

 

Isabel Busbee, Plantswoman extraordinaire

photo.jpg

Isabel Busbee in her garden, Raleigh Times, c. 1936

Gardening friendships are a special kind. Mostly we each garden at home… meaning we aren’t together.  It’s very different from, say quilting or golf – both hobbies that allow socializing while pursuing your hobby. The garden club is what brings us together and where we get  a chance to talk over garden delights and problems with another informed gardener, to get new ideas and share our own latest discoveries.

When we meet, it’s the plantswomen that keep the conversations on gardening. These are the passionate gardeners , the plant geeks, who shepherd the projects, who unconsciously mentor in every conversation just because they are such dedicated gardeners. Without them the conversations could –and do--easily stray into other channels.

The Raleigh Garden Club’s first such  quintessential plant woman was Isabel Bronson Busbee.  She made up a life around  gardening and plants: crafted a business to support herself and her passion using the garden club as a network.  She  set a pattern that was followed by a number of other plants women in down the years, among them Elizabeth Lawrence, Mary Lee McMillan, and even down to today with me.

Isabel was from a prominent Raleigh family, who were leaders of the artsy group. Isabel was born in 1880. As adults, she and her two sisters shared a house and needed to be self-supporting. Early on the young Isabel held the position of secretary to the President of NC State (then called NC Agricultural College) in 1912.   

She studied landscape design at Lowthorpe School up north in Massachusetts, though she didn’t complete a degree. She returned home and started a landscape architecture business out of her house, probably in the 1920s.  Later she brought in Elizabeth Lawrence, newly graduated from NC State’s LA program, to work with her.  The 1930’s was a hard time for a Landscape Architecture business though, and it seems she treated the GC’s projects as “work” and sometimes the Club paid her for designs.

There is a great image from one of Elizabeth’s letters of a Sunday afternoon. Elizabeth describes escaping from her own noisy home and going  to the Busbee’s house near today’s Cameron Village. Isabel and her sisters were quietly listening to a concert on the radio.  During it the sisters were sewing, and Isabel was cutting out pictures of plants from a garden catalog.  Elizabeth loved being able to listen to the music without distractions.

She was also very involved in the Raleigh Garden Club.  In its first year, she was appointed to report on the requirements for the new Club to become affiliated with the National Garden Clubs, then known as  The National Council of State Garden Club Federations. She was also involved in writing the Club’s constitution.  She was elected President of the Club for the term 1926-27. She spoke  at the garden clubs of the area and became quite well known in Southern gardening circles.  So much so that in 1935, she was unanimously endorsed by the Club for president of the Garden Club of North Carolina.  She refused the position… why is a bit of a mystery.  Perhaps she was just too busy to take it on?  Or was there a difference in opinion within the GNCN  administration?  We do know that when she refused, she made a motion to support the current president’s choice of successor without discussion . Sort of an interesting way of saying “no.”

She was also an officer in the American Horticultural Society in 1931, and she wrote often for them.

As a landscape architect, Isabel’s bigger projects were the Andrew Johnson Memorial landscaping (1937) at NC State (then called NC State College) , the Farmville Community Park, and some residential gardens.  She was involved in the landscaping for the new Little Theatre and in planting shade trees for city streets.  She was probably involved too with the design of the Rose Garden and Glenwood Esplanade, though there is no record of payment for these and the Esplanade design is attributed sometimes to her assistant, Elizabeth Lawrence. 

Plant women are observational gardeners.   She kept records and notes on each year and each plant she was interested in.  Making all-season blooming  gardens is a tough proposition.   Isabel succeeded because she knows her garden, not as a clump, but as individual plants she knew by name, seasonal habits, how well they would “play with others.”

Can't we get some one to invent a word that means the same in withstanding heat that" hardy " means in withstanding cold? I t would be a very useful word to employ for a number of plants that are grown successfully here. I should like to apply it to several that I have been experimenting with lately, and find very well suited to our conditions. The Peach Bells, or Peach-leaf Campanula (Campanula persiscifalia), has proven itself a most valuable plant with me. Neither heat nor cold, drought nor excessive moisture seems to bother it. It goes right on growing and persisting from year to year, and blooms beautifully every summer. It is really a charming plant, with its lovely blue or white bells, and much more satisfactory than the Canterbury Bells.

Isabel was a strong advocate for floral design and especially for the new design trend sweeping the country from Asian influences, in particular Ikebana.  She was involved with many flower shows. The last mention I have of Isabel in The Raleigh Garden Club is her writing the plans for a Victory Garden Harvest Show in 1942, with the proceeds to go to the Emergency and Navy Relief funds.

Isabel passed away in 1966, at the ripe age of 86.  She was RGC’s first plantswoman and she was extraordinary. She helped create a “career garden clubber”, a role that sustained her economically, and made her passion for gardening and plants  the basis of her life’s work.  Elizabeth Lawrence, and other woman who followed in her footsteps, created a Southern culture of plantswomen that still influence us today.   If Susan Iden brought a  vision of what Raleigh and RGC  could do together, Isabel made the plans so it would happen.  She treated the garden club projects with the same professionalism as her own business projects.  She found many kindred spirits in the club and plant women still made up the backbone of RGC.  They bring news of new cultivars and great garden books, the ones you turn to with plant questions, the leaders of many a project and the best friends a gardener could have.

Susan Iden, Raleigh Garden Club Founder

It was already growing dark at 6 pm that Wednesday, March 13th, 1935, when the doorbell rang at Miss Susan Iden’s home in downtown Raleigh. Three women in coats and scarves against the evening chill stood at the door. The middle one held a large confectioner’s box.

The door opened  to show a tall woman, fifty,  with hair cut squarely around her face. Her ardent dark eyes were masked by  round glasses, giving her a studious look. Her visitors knew well her gift for  making a better future appear within reach if you would just put in a little effort. They had been in the Raleigh Garden Club together for several years already, and shared her sense of purpose in making Raleigh a more beautiful town.

Surprise turned to delight. “Come on in, all of you,” she said in a kind voice.  They trooped into the dining room and set the box on the polished oak table, chorusing:  “Happy 10th Anniversary from The Raleigh Garden Club.”  Opening the box, Susan saw a cake sumptuously decorated with 10 candles on top. One of the women laid a large folder next to the cake, and Susan drew out a beautifully handwritten poem composed in her honor.

Her life is like a garden, sweet

With fragrance rich and rare,

Her flowers, like a paradise

Shed perfume on the air.

This day decennial praises we

To our patron give.

“Our city is wearing a little lovelier dress this year than the spring before because of RGC ,” said President Mary Lee McMillan, smiled contentedly.  “Your writing and publicity, the flower shows and plant exchanges, and our Open Garden days – they are all having an impact,” echoed Miss Isabel Busbee proudly.  “Don’t forget the Garden School of the Air radio program!” added Mrs. Manning, chair of the Committee on Highway Beautification. “ The Club has been so busy that today there is scarcely a home without it’s garden.” 

“And it’s all because of you!  “  all three chorused. Susan said in her soft voice, “Well, dears, I think you give me too much credit. I’ve been only to pleased to do my part.”  She pulled a slim book from a shelf, bound in green marble paper, and presenting it, said, “Madam President, I was going to save this for the next meeting, but here is my gift to the Club. I’ve written a 10-year historical sketch as Club Historian.”

“You truly are a wonder and an inspiration to us all. Wherever did you find the time? With all your work as Editor of the Woman’s Page and all you do!” 

I have to back up a little bit, and catch you up.  Miss Susan Iden was born on February 20, 1885 in Raleigh, and  graduated from St. Mary’s school in 1904. She attended the School of Journalism at Columbia University in New York.  Returning home, she became the first woman feature writer and photographer for the Raleigh Times

Eleven  years before our story,  reporter  Susan Iden had written a series of articles about gardens in and around Raleigh which appeared every Saturday for nearly nine months. She has a visionary reporting style, part challenging, part cajoling, imbued with a higher standard and a brighter future for Raleigh that had strong appeal to her readers. 

Her garden articles were so persuasive and the pictures she took to accompany them so inspirational, that gardeners all over the city were finally aroused to call a meeting and set up garden tours.  That meeting was finally held on Friday, March 13th, 1925 and out of it the Raleigh Garden Club was formed.  From that  meeting Iden reported: “If there is one thing a gardener likes to do better than garden, it is talking over garden problems and joys with another gardener.” 

Susan was a charter member and over the following 10 years the Club took on her vision of turning Raleigh into a city of  gardens.  They were dogged and tireless in their pursuit of Raleigh’s civic beautification, and they gardened!  A Highway Beautification committee tackled Hillsborough St. and other main roadsides with hundreds of climbing roses in hedges with winter jasmine, honeysuckle and other shrubs.  They planted over 6000 bulbs in Raleigh’s city squares over the 10 years, designed and installed the first Raleigh Rose Garden, set up community vegetable gardens for the poor, established an Arboretum (today the Edna Metz Wells Park), and exchanged or sold thousands of plants to home gardeners.  In one sale alone they sold 10 thousand pansies and daisies.  And they established a Garden School of the Air radio program to educate the public, along with the custom of Open Garden Sundays one week every month for the public to come and see the gardens of Club members. Susan used her position at the Raleigh Times to publicize and support the Club efforts, writing directly to her reading public and stimulating them to do their part to civic pride.

Susan herself was a devoted lover of the native wildflowers and woodlands in the Triangle. Her own garden was a wildflower paradise.  In one of her columns she wrote:

I know of nothing that pays quite so much in pleasure and satisfaction in the garden as a wildflower bed. Wildflowers want no cultivation. Given a corner that halfway suits their habits of growth,  a little shady and damp for most of them, and they will do the rest. … The woods things are entirely too lovely and shy and delicate to mix with the more gorgeous, sophisticated city bred flowers.

She promoted wildflowers avidly, holding a special wildflowers and natives spring flower show from 19? To 19?. She used her writing in 1934  to cajole her readers  into pressuring the legislature to establish a state flower unique to North Carolina by appealing to state pride and scorning the lowly goldenrod that so many states listed along with NC. She offered the Venus Fly Trap – which only grows in NC – but we ended up with the flower of the dogwood, Cornus florida.

Susan was so committed to wildflowers she started a special study group in the Club to learn about them and promote wildflower conservation with posters in local high schools. The group did talks to other clubs and elementary schools, as well as  programs on the Gardening of the Air radio show run by RGC.

Her most lasting legacy was finding a way to get NC State Professor of Botany Dr. B.W. Wells to write a book on the state’s wildflowers or “natural gardens.” Wells was a first generation ecologist and his book was to be written from an ecological perspective, then a radical way to look at growing things. He was willing to write it but didn’t have the means to pay for the publication. Susan set up a subscription plan to sell the book in advance at the Raleigh Garden Club and other garden clubs around the state through the Garden Club of NC. Her plan was successful,  because the dynamic Dr. Wells was well known and had often spoke at the monthly meeting programs and was a big favorite as a popularizer for conservation. He loved the plants and vegetation of North Carolina, and he loved to help others feel as he did.

Alas, these were the depression years and the bank where the money was stored failed. The had to start anew. It took several more years but eventually they raised the funds again, paid the publisher the down payment and The Natural Gardens of NC became an instant favorite.  It is today in its ?? edition, and still in print and a treasure. Susan credits GCNC in her article recommending the book, but as a staunch friend of Wells, she was the visionary who got the ball rolling and challenged and cajoled everyone past all the obstacles and the bank disaster. 

Susan passed away in 1944 in the hometown she loved and worked so hard to turn into a garden paradise.   And sadly, as the decades passed, she was forgotten by the Club she inspired and cherished.  Until our 85th anniversary, when then President Rita Mercer dug into the State Archives and found her photo and resurrected the story of the founding of the Club.  Her picture was framed and her story as our Club founder restored to a place of honor for the Anniversary meeting.  It was from Susan Iden that the passion for civic beautification and the cherishing of our wildflowers and native woods first came to the Raleigh Garden Club. She was an evangelist of the transforming power of gardening and its importance to a city’s quality of life. 


Susan Iden (second from left) at St. Mary’s High School graduation, 1904.

Susan Iden (second from left) at St. Mary’s High School graduation, 1904.

s iden on 10th RGC anniversary.jpg